
Artificial Magnolia Tree — 5 to 7 ft, S-Curve Trunk, White Planter
5 ft – 7 ft (60–84 in)
From $319 CAD — request a quote
Questions before you order? Email support@eververda.com
Artificial trees and florals for weddings and events are reusable installation stock — blossom, wisteria, greenery walls and statement trees that photograph like fresh-cut, pack down between dates and come back out looking the same. Planners, stylists and venues buy faux because a wedding gets one day, no second chance, and a flower budget that only works if the stock has a second life.
Showing 22 of 22 products

5 ft – 7 ft (60–84 in)
From $319 CAD — request a quote

6.5 ft
From $999 CAD — request a quote


From $249 CAD — request a quote

From $279 CAD — request a quote

From $279 CAD — request a quote

7 ft (213 cm)
From $689 CAD — request a quote

150 cm (5 ft) – 180 cm (6 ft)
From $469 CAD — request a quote

150 cm (5 ft) – 180 cm (6 ft)
From $329 CAD — request a quote

5 ft – 6 ft
From $329 CAD — request a quote

5 ft – 7 ft (152–213 cm)
From $259 CAD — request a quote


17.3 in - 23.2 in diameter
From $249 CAD — request a quote

Not applicable — sold as total length
From $99 CAD — request a quote

From $249 CAD — request a quote

From $1,388.99 CAD — request a quote

From $1,807.99 CAD — request a quote



6.5 ft (2 m) or 8.25 ft (2.5 m)
From $2,787.99 CAD — request a quote


1.6 ft (0.5 m) to 9.8 ft (3 m), six options
From $547.99 CAD — request a quote
Artificial trees and florals for weddings and events are reusable installation stock — blossom, wisteria, greenery walls and statement trees that photograph like fresh-cut, pack down between dates and come back out looking the same. Planners, stylists and venues buy faux because a wedding gets one day, no second chance, and a flower budget that only works if the stock has a second life.
In event work the question barely applies any more, because the category stopped being a compromise years ago. What is current right now is heavier, more sculptural greenery and a narrower flower palette — dense blossom canopies, olive and eucalyptus in place of generic filler foliage, and installations built from a single species rather than a mixed spray. What dates a scheme is the older look: a rainbow of colours, visible wire stems and uniform glossy leaves. Choose matte foliage, one or two colours, and let mass do the work.
Loosely, upright and dry — the opposite of how most stock actually gets treated. The main enemy is compression: branches and racemes take a permanent set when boxed tight for months, and blossom trees suffer worst. Store trees standing wherever you can, wrap canopies in a sheet rather than cramming them into a carton, and never stack anything on a flowering canopy. Damp is the second enemy, because a wet canopy packed away will mark and can mildew. Budget about twenty minutes per tree to reshape branches from the trunk outward on setup.
Event sizing is decided by the camera and by the venue ceiling, in that order. For an aisle or an arch, two 8 ft trees framing the space outperform one 12 ft tree standing in it, because the shot needs symmetry and people in the middle. For a marquee or a ballroom with 4 m of clearance, go to 10 to 12 ft and let the canopy fill the frame overhead. Under a low venue ceiling, choose width over height. See Cherry Blossom Trees, Artificial Wisteria Trees and Green Walls & Vertical Gardens.
For a single ceremony or reception, most pieces hold up fine outdoors provided there is no heavy rain and the base is anchored against wind, since a wide blossom or foliage canopy catches a lot of air. Left outside for days rather than hours, or used repeatedly outdoors across a season, indoor-grade material will show wear faster than it would indoors. If an installation needs to stand outside for an extended period, check the individual product's outdoor suitability first.
Occasional outdoor use for a few hours per event will not visibly fade most pieces, but cumulative direct sun across dozens of bookings will, and saturated pinks and reds shift sooner than whites and greens. If a piece is booked outdoors regularly, storing it out of direct light between events and rotating stock between bookings slows the fading considerably, the same principle that applies to any dyed fabric or foliage kept in ongoing use rather than as a one-off.
This depends heavily on handling rather than a fixed number, since the branches and blossom are what take the wear, not the trunk. Careful reshaping and storage between bookings, as described above, is what determines whether a tree still looks crisp after dozens of events or starts looking tired after a handful. Pieces handled by crew unfamiliar with the reshaping step wear out fastest, so training setup staff on technique matters more than any spec.
It varies by piece: some ship with a cement-filled or weighted base built for exactly this kind of freestanding outdoor placement, while others arrive in a lighter pot meant to be set into a planter or ballasted on site. Check the individual product details for what is included. For an aisle or arch in any wind at all, confirm the base weight before the day rather than discovering it is too light during setup.
Yes, the height given is the finished, potted height as the tree will stand, measured to the top of the canopy, unless a listing states trunk-only. For a matched pair framing an aisle or arch, order both from the same listing and size option rather than assuming two different products will read as identical, since natural branch variation between units can shift the apparent height and spread by a noticeable margin in photographs.